Kraftwerk Concrete Hall
Four-channel sub-bass composition and vocal liturgy calibrated for eight seconds of natural concrete decay. Unamplified voice meets custom analog tape loops.
St. John at Hackney
Chamber ensemble, modular synthesizers, and reading of new prose editions within 18th-century stone acoustics. Mobile devices checked at the door.
Spiral Hall Aoyama
Minimalist quadraphonic soundscape accompanied by limited letterpress program distributions and archival prints. Designed specifically for focused listening.
Silence carries equal weight to the sub-bass.
All assemblies require handheld devices checked upon entry. Natural room reverberation is preserved without digital dynamic compression or synthetic limiter chains.
Curatorial and residency commissions
Direct dispatch for festival programmers, museum directors, and institutional curators seeking site-specific sound installations or bespoke modular performances.