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Lineage and Method

Score, staging, and intent in equal measure

A multi-disciplinary practice operating across acoustic architecture, recorded composition, and cultural writing. Fifteen years of studio exploration governed by uncompromising editorial rigor.

15 yrs

studio practice

3 fields

score, prose, curation

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Background

From classical conservatory to tape-loop experimentation

Rooted in rigorous classical composition and refined through years of independent tape-loop research, the work synthesizes acoustic warmth with structural precision. Every performance and commission treats the room itself as an instrument.

Parallel to sonic production, sustained writing on urban acoustics and sound ecology informs how live spaces are staged and received by contemporary audiences.

Philosophy

Acoustic architecture and communal listening

Sound design and prose originate from the same cadence. One relies on breath while the other uses ink, yet both demand absolute economy of gesture. By stripping away extraneous ornamentation, compositions leave room for silence to carry equal weight with the sub-bass.

Commissions for film scores, architectural installations, and live symposiums are approached not as isolated deliverables, but as coherent environments designed for deep listening and sustained engagement.

Direct Inquiries

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Reviewing performance dispatches, score commissions, and institutional collaborations.